My personal collection of Lucas’ first three novels. Their story was structured around Corman’s revelation that, despite not outwardly fitting in with the counterculture of the period, he prepared for the film by undergoing an LSD trip on the beaches of Big Sur, California, surrounded by colleagues who witnessed and recorded his observations. In 2003, Lucas began writing a comical screenplay about the making of The Trip with his friend, writer/artist Charlie Largent. This is an appropriate motif, given the themes of Corman’s film and the story he has weaved about its creation. A throughline that connects Lucas’ work is his focus on our capacity for experiencing and expressing love for each other. Lucas has also penned three published novels: Throat Sprockets (1994), The Book of Renfield: A Gospel of Dracula (2005) and The Secret Life of Love Songs (2021). He has provided audio commentaries on the DVD and Blu-ray releases of over 100 movies, covering not only most of Bava’s films and several of Corman’s, but works by directors as varied as Jean-Luc Godard, Alfred Hitchcock, Sergio Leone and Orson Welles. Kaleidoscope eyes professional#To say this guy knows his movies is putting it lightly.Ī renowned film critic/historian with fifty years of professional writing experience, Lucas is best known for co-publishing (with his wife Donna) the pioneering home media review magazine Video Watchdog (1990-2017), and for writing the celebrated critical biography Mario Bava: All the Colors of the Dark (2007). Lucas with his legendary tome Mario Bava: All the Colors of the Dark. Among those The Trip impressed upon its initial release was a young film buff from Cincinnati named Tim Lucas… As someone who doesn’t have any experience with such drugs, I was pleased that the film wasn’t an excuse for flashy imagery, and that it grounded the psychedelic experience in human drama through its focus on whether Paul can form personal connections amidst the emotional turmoil of a divorce. Kaleidoscope eyes movie#Although its style and subject matter reflect key interests of the hippie movement (LSD was made illegal across the United States soon after its release, and the film’s portrayal of it prompted the British Board of Film Censors to ban the movie for 35 years), the film’s thematic underpinnings still carry weight decades after the Summer of Love. Guided by his guru friends John (Dern) and Max (Dennis Hopper), Paul witnesses a parade of sensual and terrifying imagery throughout his hallucinogenic odyssey that forces him to consider his place in the world, and especially his relationships with women he is torn by his feelings for his wife Sally (Susan Strasberg), who he is soon to be divorced from, and Glenn (Salli Sachse), an acquaintance of Max’s with whom he feels a mutual attraction.Īlternately confounding, nauseating, sexy and funny, The Trip remains a thoroughly engrossing watch, marked by its rapid editing and depictions of nudity, both of which were considered ground-breaking for the time. Directed from a screenplay by a long-time member of Corman’s talent pool, Jack Nicholson – better known today for playing a certain Clown Prince of Crime! – the resulting film, The Trip, follows disillusioned commercial director Paul Groves (Fonda) as he seeks to gain personal insight through an LSD trip: the first of its kind depicted in a motion picture.
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